To a skylark vs ode to

Love is the answer, but while you're waiting for the question, sex raises some pretty interesting questions. Who sings of all of Love's eternity Who shines so bright In all the songs of Love's unending spells? Holy lightning strikes all that's evil Teaching us to love for goodness sake. Hear the music of Love Eternal Teaching us to reach for goodness sake.

To a skylark vs ode to

He just needed the world-renowned guitarist and singer John Pizzarelli to make it. I realize this may be a little immodest, if not pushy.

As I said, this may tickle your fancy or you may decide these are the ramblings of a deranged composer with too much time on his hands. Pizzarelli, his wife Jessica Molaskey — co-producer of Midnight McCartney - and pianist Larry Goldings immediately went into research mode, digging through McCartney's albums of the last plus years to find songs that could be re-harmonized and adapted for Pizzarelli's trademark style.

“To a Skylark”

He's obviously a rock 'n' roller, but they were really easy to break down. That's the challenge and the fun of the whole thing.

The idea of Midnight McCartney was an easy one to warm to: A half-dozen of Pizzarelli's albums have been devoted to a single artist or style: Duke Ellington, Frank Sinatra, the Beatles, bossa nova.

The title, too, captures the treatment of the songs. The intensity of the sessions, Pizzarelli says, was higher than for most recordings — every musician knew that Paul McCartney would be listening to their work.

Not that they wouldn't play their best normally, but there was this special thing. You tell a Paul McCartney story to the string section before a take and they're saying, 'Let's make sure we get this right. Long a McCartney fan, Pizzarelli has kept up with his work over the decades, noting a strong affinity for his albums Tug of War and Pipes of Peace.

That really made it into something. If one became a hit, we'd be fine with playing it for the next 20 years.

He sent that in as a joke and I played it for my wife and we said, 'Oh, that works. He plays beautiful rhythm on 'My Love' and a great Freddie Green thing on 'Coming Up,' so you get that freight-train thing going in the rhythm section.

My wife found 'Heart of the Country,' a song I wasn't familiar with. It sets itself up to be a great little rhythmic tune. I sent it to Michael McDonald and he sang the whole thing, sent it back to us and it was just a matter of plugging myself in.

My wife asked to take it down; the high stuff is too high — you have to be aware of that. If you played it at a club, you could say 'that came out in ' and it would be believable. King-ish instrumental or even Wes Montgomery meets the blues.

To a skylark vs ode to

Then Don Sebesky put the horns on there and made it happen. We cut it slower, then put Harry Allen and my father on it. It's a brilliant song. People gravitate toward what he's doing. He said, jokingly, 'Have you heard from Sir Paul lately? I play a Sondheimian figure — the chords are the same, but we add a little more life to it with that figure.

There really wasn't a lot to do harmony-wise.Percy Bysshe Shelley was a poet in the early s. In this lesson, we will analyze his poem 'To a Skylark,' and see how it fits into the Romantic era. Online shopping from a great selection at Digital Music Store. Shelley: “To A Skylark” September 22, Poetry John Messerly Percy Bysshe Shelley ( – ) was one of the major English Romantic poets, and is regarded as one the best and most influential lyric poets in the English language.

This is our list of BACK 2 BACK Hits 45 RPM VINYL Records made especially for jukeboxes. Currently most of the below items are out of print, but we are keeping the list online because it contains the most popular jukebox songs.

Recently I have become fond of collection of the output of various record companies. When looking at Capitol Records, you have the choice of the six CD collection of . news sinatra & jobim @ - concord records.

the rhythm of rio, the romance of sinatra: celebrated guitarist and singer john pizzarelli revisits a bossa nova classic at

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